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VERSE| THE WOODEN BENCH

We have all, at some time or another been overwhelmed, overpowered, bested by our grief, anxiety and wretchedness. At those times, some of us have also been lucky enough to have that one place where we have, for a while, found some degree of quietude and peace. This is a tribute to those secret little places and spaces of comfort and healing in our lives.

There is this wooden bench I like
It’s not fancy; quite the common type.
Cloaked in by the dappled canopy
Of a gracefully pirouetting Mara tree,
It sits in the park like a dear old friend
It’s well-worn embrace ever welcoming.
A young couple walks up, caught in the grips of wrath
Love is lost; it’s the wretched aftermath;
Words are exchanged until the fury’s spent
Frustration - Anxiety - Sadness - Silence.
Then they sit down on the wooden bench ...
Gradually, muscles relax and nerves untense.
Even if it is a passing interlude,
Loads are lightened; hearts are soothed.

Wild flowers grow lushly around its feet
Bobbing bright heads to Earth’s vital beat.
The bench sits there like a quiet friend
It’s well-worn seat ever welcoming.
A man sits down in a state of unease
Holding on to his hat in an errant breeze.
He picks up his phone and looks at the screen;
The unlit glass reflects the tranquil scene ...
He looks up and around him his brow somewhat eased
Fleeting albeit, he’s found his moment of peace.

Songful birds and their terrestrial friends
Roam warbling and chittering around the bench;
Hoping for a serendipitously fallen treat
They browse busily around the seat.
A wheelchair-bound man looks up at an overcast sky;
His female companion already has water in her eyes.
They sit side by side in worlds of their own
Reminisnce weighs heavy of days that are gone ...
A mynah trills as a light drizzle falls
And a sweet petrichor briefly dispels the pall.
The man looks at her, takes her hand and she smiles
For now they’re alright; tomorrow is still a while.

I too have sat in Nature’s restoring arms
On that bench where she weaves her alchemical charms.
I too have unburdened my hopes and my fears
I too have laid my bursting heart bare;
And I have heard her soothing murmurs
That have quietened my deepest despair.
I’ve looked into her soft eyes from that corner in the park
For a time, my soul too has emerged from the dark;
The clouds have parted; the sun has shone through
And I’ve breathed more easily, sitting on that wooden pew.

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FILM PICKINS| STAR TREK – DEEP SPACE 9 (1993 – 1999)

It was slow I admit, the glimmerings of a connection with the ST-DS9* characters and their Deep Space shenanigans. But by season 2, I had developed a mild fondness for the Captain and his Federation crew. And by season 4, the affection I felt for the space Station denizens was deep-rooted and personal. By season 5, I was already forlornly anticipating the end of the series and feeling at odds with the rest of the Netflix science fiction repertoire.

That is not to say that i was blinded to the obvious shortcomings of the production; they just became tenderly blurred as the characters became increasingly larger than life. I still remember cringing slightly during season 1 and wondering for the 347th time why i felt such a compelling commitment to see every series through, dubious and otherwise, that I’ve embarked on. Here’s what I remember even as I dredge up the memories from the practical, unemotional series-bingeing depths of my mind:

The characters were more than a tad over-dramatic – Captain Sisko often comes across as a stand up comic endearingly poking fun at would-be space bigwigs; while the good Doctor Bashir appears so entranced by his own look, feel and sound that one would be forgiven for mistaking him for the English, Space version of a Doogie Howser impersonator. Major Kira (Colonel now!) is relentless in her adolescent knee jerk outbursts of anger, vengeance and the insatiable need to be the biggest bully in the Alpha quadrant…. nah… all Space. Then there are the dated special effects: the barely camouflaged fluorescent primary coloured lights blinking on 24th century tricorders and control panels; the landing/ disembarkation pads which look like ponderous railway tunnels; the defiant, brave little ships in space, dithering ever so slightly against their starry backdrop – trembling reminders of their actual minuscule size and mass; the phasers and other laser weapons put to shame by the contents of aisle 15 in Toys ‘r’ Us. But…. like i said, i had to laboriously dig up these first and not so lasting impressions.

What I do remember effortlessly is the superb characterisation of Quark the quintessential Ferengi who’d grown a heart and a bit of a conscience over the course of the 7 seasons; Garak who was as devious and resourceful as he was genteel and intrepid; Dukat the bipolar Cardsassian who fought a war of conscience for most of the 7 seasons, finally relenting with a Bajoran bow and a twisted flourish to his dark side; Weyoun, the Gamma quadrant clone who was as duplicitous as he was “god-fearing”; and of course Vic Fontaine, a holographic throwback to the 1960s Las Vegas rat pack style entertainment who was as good a singer as he was a psychothera-pal for the DS9 crew. All in all, the alien characters of DS9 delivered a far superior performance to that of their human counterparts.

The piece de resistance of the series however, is definitely its ability to take its viewers on a compelling, emotional journey into the lives of its main characters. The cloak and dagger plots set a million light years away from earth still took place in what was essentially a little town with its very own set of the good, the bad and the alien. And that was ultimately what made the series so memorable.

Other Deep Space Distillations:

-The mainstream ethics/ moral compass portrayed by the Federation of planets, while being lofty and aspirational by our boorish 21st century standards, was still shown to be insidiously riddled with intrigue and deception; its Section 31 dutifully and covertly performing all its ungallant business. I suppose some things are so hard-wired into our psyche, a basic distrust of anyone different from ourselves being at the top of that list, that no amount of evolution and sophistication can wring it out of our DNA.

-America, as is customary across the Hollywood universe, bravely endeavoured to save the day or lead from the front. And so unremarkably, Uncle Sam continued to fill in most of the shoes of the DS9 and the Federation nawabs*.

-I discovered a new-found love for Frank Sinatra’s soulful crooning. I’ve had his vocal jazz and swing numbers on quick recall on my phone for the last fortnight. Vic’s repository of the legendary tunes pulls at all the heart strings!

-The MC at Joe Biden’s inauguration ceremony sounded eerily like Worf, the Klingon!

I watched the last show of the last season last night. A net total of 176 episodes viewed, imbibed and psychoanalysed nostalgically during the last 4 weeks. Almost made me forget we’re in the middle of a pandemic as I traversed through space and time with the crew and the citizens of Deep space 9/ Terek Nor.

I leave you with a nostalgic old Sinatra refrain sung by DS9’s own Vic Fontaine, just because it’s such a lovely old song and even half a millennium on, it resonated richly, poignantly, on a space station somewhere in our cosmos.

*ST-DS9: Star Trek – Deep Space 9

*Nawab: a male title which literally means Viceroy; the female equivalent is “Begum” or “Nawab Begum”. The primary duty of a Nawab was to uphold the sovereignty of the Mughal emperor along with the administration of a certain province. In modern times, it is often used to denote men of power.

FOOD SWINGS|The Capital Bar and Grill

RESTAURANT: CAPITAL BAR AND GRILL AT THE SHANGRI-LA HOTEL
ADDRESS: ONE GALLE FACE MALL, COLOMBO 3
CUISINE: MODERN, INTERNATIONAL, CONTINENTAL
Ensconced in the modern, luxurious environs of the Shangrila Hotel, this venue is almost a nostalgic throwback to the bars of the 40s and 50s, with a lovely modern twist.  From the repertoire of live music to the atmosphere, it is warm, retro and relaxing.
I’ve been a number of times to the bar and admit, i have had a varied gamut of experiences.

OPPORTUNITIES FOR IMPROVEMENT:
-The Parking area is dismally inadequate over the weekend as wedding parties, mall goers and hotel patrons all vie for a spot.
-Patrons are not allowed to make reservations at the bar. So if one happens to walk in later than 8.30pm, there may not be a seat/ table available. If there are a significant number of no-shows, put in a process whereby reserving patrons are called 20 mins before their scheduled arrival time to re-confirm their reservation. If they don’t arrive despite the re-confirmation, give the table to someone else.

THE GOOD STUFF!
-The atmosphere definitely. It is luxurious yet comfortable - one can sit back and bask in the lap of old world charm at quite its best in Colombo.
-The food is quite good for the most part.
-The service is good (I do go on about service because it really makes up half the food and hospitality experience. Having been in the Financial Institutions Customer Experience realm for almost a decade, it is almost instinctive now to gauge every aspect of service delivered, from the front-desk manner of the usher to the culinary/ spirits knowledge of the serving staff).
-The live music sessions have always been fabulous. The last time it was a lovely myriad of jazz, folk and country delivered beautifully.

VERSE|A WALK TO DECEMBER*

Another end of year has trundled in at last - 
Dawned is far too genial a word to use for what’s been a blast
Of a year, of our lifetimes, of living memory too they say
So on this blessed December day, I’m wishing it all away!

May the Corona perish in the gentle warmth of spring
Helped along by its archnemesis, the grand old vaccine.
May the dear departed find rest and cosmic grace;
May their earth-bound loved ones begin to make their peace
With losses, grief and tender hearts;
With new endings and even newer starts.

But most of all, let us hold on to the quietness within,
The fruits of all those locked-down hours of introspection;
May that stillness guide us in the years to come,
To live a life more fulfilled, to let our purposes be done;
To become intimate again with our humanity,
To learn to give, to love, to coexist more easily.

Another end of year is upon us once again
Nuanced as it is with a ragged, shadowy mein.
Even in its greyness, it is ripe with the promise of better days;
Of togetherness and laughter, of joy and celebration,
Of birthdays, anniversaries and triumphant graduations.

May 2022 be a soulful, wholesome distillate
Of all the growing-up we’ve had to do over the last year;
May it help us recover our little magical moments
The joyful alchemy of all that we hold dear.

So family, friends, neighbours and those merrily blundering on this digital wire
Have yourselves a very merry Xmas and a happy new year.

De Khudai pe aman

*Title inspired from A Walk to Remember, a 2002 American coming of age romantic drama

**Read the highlighted words in sequence from top to bottom for the Blackout poem/ phrase within the poem. It reads: December 2020 a year bound with losses, but our humanity once again is ripe to recover all that we hold dear.

FEATURE|The Bloodsoaked Rhymes of our Nursery

Humpty Dumpty sat on a wall
Humpty Dumpty had a great fall
All the king’s horses and all the king’s men
Couldn’t put Humpty together again!

A lovely old quatrain, filled with the promise of blood and gore (or at the very least, massive quantities of ill-fated yolk!). Or how about:

Rock-a-bye baby, on the tree top.
When the wind blows, the cradle will rock.
When the bough breaks, the cradle will fall.
And down will come Baby, cradle and all!

The doomful melodrama spanning from the cradle to the grave was never more succinctly played out than in the above poem. Or then:

Jack and Jill went up the hill
To fetch a pail of water.
Jack fell down and broke his crown
And Jill came tumbling after!

Another rhyme, another disquieting tragedy at the heart of which are the children – always the children, as its main characters. The more of these nursery rhymes you recall, the more you’ll be reminded of the copiously sinister top note in almost all of them. Ranging from racism to bigotry to plain old sadism, these rhymes from our childhood embodied them all. Try reciting a few others like, Eenie meenie miny mo”, “London bridge is falling down”, “Sing a song of sixpence”, “Little Miss Muffet”, “Old Mother Hubbard” and “Goosey goosey gander” – all straight up threatening or woeful or just plain evil! Some of them are actually pithy, blackhearted little odes to actual personages and their peculiar quirks, like Mary the 1st’s religious malevolence – (Three Blind Mice), King Edward the 1st’s cruel avarice – (Baa Baa Black Sheep), the wonton love affairs of the royal European courts and its many colorful denizens; and also a myriad plagues, witches and famines. These rhymes were akin to recording history for quick, unprejudiced recall. And so, what better way than as a child’s beloved refrain, repeated ad nauseam, passed on from generation to generation; the rhyme and meter keeping it true to its original foreboding self.

Indeed, for many of us, nursery rhymes were probably the first few words we ever uttered with any pleasure after the general familial ID allocations of Mama and Papa. I still remember the infinite pleasure, comfort and toddler-centredness (there has to be such a thing!) I derived from repeating these much-loved childhood rhymes. And once the novelty of “she already knows all her nursery rhymes” or “tell aunty what happened to Humpty Dumpty” wore off, the adults also became innocently, resignedly tangled in our whole love affair with these refrains. The slightly disturbing thing is, had they known of the morbid origins of the rhymes we were so lovingly taught, how many would have still thought, let well enough alone; if it makes the kids happy, let them sing of old men being thrown down rickety stairs and babies falling out of their tree top cradles. And they wouldn’t be entirely to blame. Generations of painting the malignant with the brush of hunkydoriness quite entirely dilutes outage and indeed, skews the moral compass itself: Atrocity takes on a happy vagueness; racism becomes invisible; patriarchy adroitly sits atop any semblance of gender equality, and so on. And so now we are all quite happily complicit in perpetuating the crazed ramblings of 400 years ago, cloaked as they are in the rhythm of rhyme and meter. The nursery rhymes of our childhood, thus made eternal, are now forever rolling and roiling in the ether.

The attached link details some of the social madness that inspired many of the most beloved nursery rhymes that we grew up with: https://www.vagabomb.com/10-Dark-and-Disturbing-Origins-of-Popular-Nursery-Rhymes/

Now that we know, seems like it may be time to change the lyrics at least, while keeping the nostalgia-laden tunes/ meter alive. That too requires a break from the inertia of tradition. I’ll begin the Great Re-hash with the below rendering of a favourite. Any other shakers of the status quo, give your favourite a go.

Humpty Dumpty sat on a wall
Humpty Dumpty had a great thought:
What if all the kings horses
And all the kings men,
Danced a nice foxtrot

Across Goblin’s Glen!
Hello, I’m the Humpty that didn’t have a great fall
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SHORT STORY|A TWILIGHT IN TAPROBANA

Some background to this piece is essential I feel, to give it that bit of relatable relevance. Felicia’s character is based on an old family friend in Sri Lanka who is as lovely as she is absolutely, delightfully eccentric. Donald Rajapakse is a more sinister inspiration, based on the character of a man whom i know nothing of but who has been in my coffee shop writing space for the last 6 months – loud, obnoxious and a bit of a hassler. (I had to have the cafe management intervene to have him back off). Ruwani is a happy figment of my imagination, introduced to bring life and depth to the madcap machinations of my 2 main characters.

(I)

Felicia looked around her with the air of the resident matriarch, her gaze more acicular than that of a quality control inspector at a pharmaceutical manufactory. She noticed everything; from the brand of shoes on a toddler’s little feet to the caliber and concentration per square inch of a counterpart’s cosmetic applications. She sniffed delicately, her scan of the Cinnamon Grand lobby complete, and picked up her mug of double chocolate drizzled mochaccino.

She turned to Ruwani, her friend of 60 years and a bulwark of a woman in bearing and bulk.

“I’ve had a new salwar* stitched for the next meeting of the International Ladies’ Club. It’s from Pakistan. That Shihani thought she looked like a beauty queen with her Janpath market purchase. Did you see the cheap gold lace on her shawl?” She rolled her eyes as she spoke disparagingly of her social arch-nemesis.

Ruwani laughed her high tinkling laugh, delicately belying her ponderous mien. Her eyes twinkled as she said, “imitation is the purest form of flattery darling. She’s always looked up to you as her role model”. She laughed again at the mental image of Shihani looking up to Felicia as a role model of any sort. The two women could barely coexist in a social environment, and when they did somehow manage to come within six feet of each other, there was almost always a thrilling finale to the affair. The stuff of Page 3 high adventure.

Felicia frowned and took a slurpy swig of her saccharinus coffee, letting the heady brew course through her body, giving her the mental vigor to “drop it for now”. She had recently been diagnosed as a prediabetic and on the behest of her Ayurveda* guru, she had begun meditating to “will away the extra sugar” as she called it. She had also realised more recently that her willpower increased dramatically when her blood was fortified with caffeine or spirits. Still, she gave a last withering look to Ruwani before allowing the sugary caffeine to whisk away the wisecrack into some not so obscure recesses of her mind; the memory to be retrieved later, brazen and embellished, when she needed stirring reinforcements of lividity in the wake of an especially karmic day.

Ruwani watched Felicia’s face as expressions of resentment, detachment, reanimation and a final ferocity played out in the fond encore of an oft repeated act. Despite the bluff and bluster, Felicia was a good sort. The kind that needed copious scratching of the surface before any glimmers of goodness shone through though; a diamond in the consummate rough. Felicia Pelpola and Ruwani Edirisinghe had been friends for 50 years now and had had their fair share of fall-outs and run-ins. But time and grace (mostly on Ruwani’s side) had brought a bristly tenderness to their equation and their friendship had triumphantly weathered multitudinous storms in teacups and the occasional tsunami.

Felicia had, in her heydays, been quite the social starlet. She was the debutante that had changed the norms of the party circuit with her boisterous manner and her delicate anatomy. Her demeanour and her countenance were at such odds with each other that the resulting befuddlement of the senses became her piece de resistance. She provoked a serendipiptius sensation of attraction and discomfuture that pulled at all the male heart strings and incensed, in equal measure, the traditional ladies of leisure. Ruwani looked at her now robustly girthed friend and chuckled. Time had diminished her beauty yes, but had also compensated her unsparingly with a persona that strode into most rooms before her person did. She was absolutely, delightfully formidable!

“Oh look who’s here!” Ruwani, still grinning, looked towards where her friend was gesturing. Donald Rajapakse had just walked in, behatted and bellicose, loudly berating someone on his way into the coffee shop.

“Donnie! Donnie! Aney!* He’s getting deaf as a door nail!” crowed Felicia.

“DONNIE!”

There was startled hush in the cafe which neither Felicia nor Donald noticed as the one shrieked back a “Hellooo!” and the other cackled in what was meant to be a guileful titter. Donnie came towards them, swaying from side to side in his quintessential rheumatic lurch.

“Hello my beauties! How are my favourite ladies?”

Felicia smiled affectedly and in the high pitched, adenoidal voice reserved only for eligible men and her hair dresser, she quipped, “We are fiiiine! Having cappuccino. You want? Come sit aney!”

Donnie sat in the chair that afforded him the best view of his surroundings and looked around. Felicia continued to smile like a loon and shifted her bulk at a precipitous right angle towards Donnie’s chair, her hand delicately supporting her chin. But Donnie was already distracted by a solitary woman sitting two tables away, engrossed in a book. He stared hard, only half hearing what Felicia was chirping into his ear. When his hypnotic stare didn’t get the creature to look his way, he devolved in his trademark manner into Neanderthal mode and then there was a bustle and a frenzy as he guffawed, bellowed and produced all manner of primitive-man noises to hassle the object of his current coffee shop infatuation into acknowledging his presence. She did finally, by calling for the bill, casting a disdainful look towards the voluble, senior party of three and sauntering out into the sunshine. Donnie was woebegone as his buoyant hat came off and he sat there with an inadvertent twinkle on his bald head. But not for long; you can’t keep a socially catastrophic but tirelessly optimistic man down for long. And so the next couple of hours were spent sipping coffee and annihilating plates of mutton pies and smoked salmon wraps over boisterous conversation.

At 3pm, Donnie left the group to join another party at the 70s Club. Felicia took back command of her person and her surroundings and the next thirty minutes were spent in a focused wardrobe and character breakdown of the other coffee shop patrons. All in all, it had been a charming afternoon!

(II)

On the way home, both women were thoughtful mostly because of the stupor of all the food consumed and partly because of the waning day…. Life. Ruwani glanced at her friend who had leaned her head against the seat and closed her eyes, blocking out the world perhaps, after spending an afternoon in its fervid embrace. Ruwani looked outside her window. They had stopped at a traffic light. A young man on a motorbike was arguing with his female pillion as she pushed away from him clutching a Beverly Street bag to her chest. A snot-nosed boy ran across the road with a dripping ice cream cone in his hand, following a hassled mother. A tuk tuk driver looked at his phone in distressed anticipation while glancing every so often at the red traffic light. The only quietude in the scene outside surrounded a duo of mynahs promenading along the sidewalk in perfect creature harmony.

(III)

Back home and post a shower, Felicia sat at her dressing table looking at her reflection. She brushed her hair slowly, the once lustrous strands now feeling meagre and inadequate in her grasp. She looked at the lines in her face; each had become a more avid companion as the years had gone by. She looked away and out of her bedroom window. In the waning twilight she saw a pair of mynahs, frolicsome and songful, performing a last little dance before being blanketed by the stillness of the night.

*Salwar: local colloquialism for the Shalwar Kameez, the long shirt and loose pants indigenous to the northern subcontinent

*Ayurveda: An alternative medicine system with historical roots in the Indian subcontinent. 

*Aney: a colloquial Singhalese expression meant to show mild irritation/ concern.

VERSE| PARADISE EARTH

Another day breaks on Paradise Island,
Little glimmers of it coming through the gap at the top of the curtain rail
That was a structural detail I hadn’t intended to but quite happily overlooked when I was putting up my blackout drapes.
Still in bed, from the play of light and shadow on my wall,
I know whether it’s going to be a sunshiny day
Or whether the island would wear its Nimbus* cape,
Disrobing only when all has been washed clean;
When all has been purged and restored yet again,
For us to do over; for us to get it right.

I get to “my” cafe, always armed with my iPad or my book
My book or my iPad; my iPad or my book - never without.
My cafe, that safe haven of familiarity and space
Always the same cafe, my cafe; the one cafe - never another.
The place, the accompaniments, even the latte I always have:
A conglomerate of sameness, of routine, of security
Shotgunned together by the compulsions of a creature of habit;
Unsettled only, infrequently, when I momentarily feel something stir inside
A sensation, an excitement, a consciousness of Something More.

Come evening, I sit in my lounge, post workout, post shower
Cloaked in a gentle haze of endorphin fuelled fulfilment
For getting my steps in; my cardio done; for being “conscious and good”.
For staving off the Monster of Maladies; for helping the universe protect and preserve.
And then I turn on the television to the News: that digital Carnival of Disorder;
To Mankind’s ravagement, sadism and deception
To Nature’s retaliation of catastrophes and devastation
And it continues, ON and ON and ON...
And I PAUSE ||

A feeling of wretchedness and hopelessness overcomes me
And then irritation, frustration and a tired exasperation
And finally a fading away in a self-preserving haze.
And I get on with my evening of dinner, Netflix and some reading;
Then to bed.

Another dawn breaks; and the timorous glow of another new day
Reaches into my bedroom; also flickering into the homes of 7 billion other people.
A tenuous beacon of second chances, do-overs; of divine favours...
And I step out of my home; and head towards my cafe,
Once again, walking down the road of endless possibilities, new beginnings; of better things to come.

De khudai pe aman.

*Nimbus: rain bearing clouds

VERSE|The Lady with the Mona Lisa Smile

For the gracious Padmini Pelpola – the lady who lit up the porch every evening at number 12 Sir Marcus Fernando Mawatha.

We were in the throes of the affliction, all lives tossed quite asunder,
Everyone struggling with their own version of their worlds-turned-upside-down.
I too was grappling with the changes
In a curfew-riddled cocoon of my own.
There was a painful psychosis that had swept over the city
And it was all we could do to hold on to little glimmers of patience, resilience and hope.

It was in this atmosphere, saturated as I was with pandemic fatigue
Holding onto the one thing i knew that helped me to center
To fight off the depression for one more day - my evening walk;
It was then that I saw her sitting in that little porch near the car park of the apartment building.
A vision of serenity, grace and beauty, borne of a life well-lived.

She was holding court as I came to see she would, every evening
Equally at ease with her solitude, as with the conversational company of those that sought her out;
She was scintillating, she was vibrant, she was calm and she was kind.
I watched in awe and then through occasional glances.
For i was mesmerised and yet I was aware that I might spook her -
Spook the perfection of those two blissfully normal hours of which she was the gracious alchemist.

So I looked forward to my evening walk in the apartment parking lot,
For that was the extent of our locked-down freedom.
And i looked forward to saying hello to her and to receiving in return, her lovely smile every time.
I fed off the revitalizing energy of that precious little exchange for the next six weeks.
And then things returned to normal and I didn’t see her for a while.
But the memory of those heart-warming little interactions stayed with me like the glow of a just-settled sunset.

And then I heard that she’d passed on. Suddenly. Just like that.
And the news hit me in a strange, inexplicably sad manner.
And I realised that I didn’t know her at all, and yet, for me and a handful of others,
She had been the unwavering harbinger of a wonderful, uplifting calmness at a time of great disquietude.

And so I write this little eulogy, a remembrance if you will
Of a life well-lived, and I am sure, a soul well-loved;
Of the lady with the Mona Lisa Smile.

De Khudai pe aman

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VERSE|Thank you for the Joy – Part 2

For my beautiful, wise mother on what would have been her 72nd birthday on the 8th of July 2020. And to all the other wonderful mothers who have left us too soon ❤️🌺

Sometimes I wake up in the morning
Feeling a little less vibrant, a little more melancholy...
I get dressed, and I look in the mirror
My hairbrush poised in my hand...
And I see a flash of someone familiar
A fleeting gesture, a nuance, an expression,
And I smile, a gentle joy touching my cheeks.
And then I look into my eyes
And I clearly see the lingering glimmer of someone resting in my heart
And my heart bursts, my throat chokes up and my eyes twinkle
And I know that I have shared
A special mother-daughter moment in my dressing table mirror.

SHORT STORY|The Fatigue

I was so tired.

I arrived at my grandmother’s house, Z___abad, at a little past 3pm. It was a cool mid-March evening and the slight chill in the air felt soothing. I made my way up the broad walkway towards the main house. The familiar spring foliage in the inner garden was in full, salutary bloom. My favourite shrubbery running the length of the high ceilinged veranda was inflorescent with a myriad shades of green, ranging from the deep dark of the Monstera to the delicate green plumage of the Bougainvillea. The late afternoon light played lazily along the palm-shaded steps leading from the garden to the veranda – each umbrous shape flitting like a gossamer phantom between the real and the shadow worlds.

There was a faint smell of the rose and bergamot incense that my grandmother had liked to burn every so often; usually, when the gastronomic labour of love, undertaken daily through prodigious breakfast and lunch preparations for the family and the contingent of domestic staff, was done for the day. It wafted in barely perceptible undulations like shy little wraiths playing hide and seek.

I stopped for a bit to take it all in….breathe it all in. I was home.

But I was so tired.

I walked into the big, airy lounge, greeted immediately by the portraits of my grandmother and my mother. I looked at the pictures, and waited for the inevitable wrenching tug of heartache. It didn’t come. Instead, I felt a quiet calmness and solace… I was back home.

“You’ve arrived”. P. abai, the old homestead retainer said, looking at me quizzically. I hadn’t heard her come in. I smiled and we embraced. Z__abad and P. abai are intrinsically bound together in all my memories of the place.

“Where were you the last time I came here? You’d been ill and then they said you didn’t come back. I missed you”, I said looking at her gently smiling face.

“I’ve missed all of you too. I had to go away for a while….”. She hesitated, looking at me tenderly and then smiled again.

“I’ll bring you some tea – you must be tired” She said with an affectionate caress on my head.

I smiled at her and watched her go out through the lounge doors, melting into the evening shadows that had descended on the sun-warmed veranda. I shivered a little – the residual late winter chill had further cooled the evening air. I sat on my grandmother’s chair at the familiar old dining table. The edges of the flowery linoleum table cloth fluttered tremulously in the crisp March breeze that wafted in through the open doors.

I could still smell the incense faintly. I glanced around the room, vaguely wondering where it was coming from. It didn’t matter; it was replete with nostalgia and serenity. I looked outside at the garden. The twilight of dusk had succumbed to a tranquillising, soothing darkness.

Exhaustion washed over me.

I put my head back and closed my eyes.

I finally rested.

Khyber News Alert:There was an accident on Highway S-1 near Charsadda this afternoon at 3.15pm. The Nissan Sunny car driver had fallen asleep at the wheel and had plunged head-on into a lorry carrying scaffolding girder beams. The driver has been hospitalised with a broken leg. The passenger, a woman in her 40s, died on the spot”.

PANDEMIC 2020|Home sweet Hom(age)

Of Garlic presses, Firestarters and the BBC

Starting with a cliche isn’t usually one of my proudest writing moments, but i’m employing the poetic/ prose license bestowed on all of us by these downright bizarre times. While it would seem almost counter-intuitive to wax eloquent on any kind of ‘home-boundedness’ at this juncture in our various mass lockdown and curfew situations, it is also a good time to cogitate on what makes the home so sweet. In fact, if I didn’t put some pixels behind the cause, I would probably undo a whole lot of the arduously achieved homestead allurement in a flash of claustrophobic bluster.

So here is my tribute to the delightfulness of my abode (albeit currently surrounding me unremittingly, endlessly, ceaselessly, 24 hours, non stop!)

My plants: The genial collection of flora in my balcony that brightens my day straight up. It’s like having some green friends over who have over time, set down roots at your place and have decided to stay for as long as you’ll have them. Some of the more enthusiastic boarders may encroach on your hospitality and bring along a few dozen other weedy friends to their fertile bedchambers off and on. Even so, the happy floral assemblage outside my window never grows old. Bless them!

My Corridor: The 30 foot corridor (from the lounge to the kitchen) has saved me more than once, from enacting Stephen King’s Firestarter* routine. Every occasion I feel the cabin fever setting in and the heebie jeebies creeping up on me, I put on my sneakers and kick-off on what i call my “20 Minute Corridor Constitutional”. The mental and emotional stress-release is phenomenal, not to mention the vast numbers I end up adding to my daily step count. There have been curfew-bound days when I’ve averaged 22,000 steps just from my corridor walkabouts. Needless to say, those were also the days I almost gnashed my teeth to the gums, uttered a lot of pandemic invective and played nervously with my well worn box of matches…..

(An affectionate cheer to my Dad here, who introduced me to these indoor perambulations as the healthful aftermaths to a fulsome meal. Thank you Dad!)

My kitchen: The heretofore dubious capital investment in my home. I’ll just put it out there: never had the inclination nor the interest to cook up a storm or even a mere waft of a breezy hours de oeuvre or two. I have relied on the cooking graces of others – both at home and outside- to nourish me. So it is with a peculiar and rather hesitant delight that I have discovered the magic of the hob, the relish of shallow frying, the perfection of silicon egg poachers and the satisfying sharpness of a kitchen knife. No, no… halt that imagination forthwith if you please! The knife has gone straight for the heart of the vegetable or fruit I’m attacking, thank you. The macabre, keen-edged shenanigans I shall leave to the crime writers who are probably blowing off some dubious steam of their own these days! I quite like my kitchen now and have even added a garlic press to my list of things to buy post-pandemic; no store bought garlic paste for this kitchen adventurer! When in a pandemic, go the whole nine yards. It’s a great lockdown time-batterer.

My 6 bottles of wine: I’m glad they were there when the psyche was engaged in bloody battle with the curfew. They’re all gone now. ’nuff said.

My telly: Together with my first cup of tea of a pandemic morning, the caffeine hit is not quite complete without a dose of Doctor S. Gupta, David Eades and Christiane Amanpour, and of course a trademark Trump sound byte. As I’ve been raising the bar on my Pandemic self actualisation scale, I have also begun to reduce my News addiction, and have actually watched a fair bit of Netflix. My profound cinematic conclusion: Stand-up comedy routines are chicken soup for the Curfew-bound soul!

Other digital media: My WhatsApp and weblog connections with my near and dear ones have helped to keep the heart intact in all this mayhem. No matter where each one of us is, we know we’re just a meme, a joke, a💋 , a 🤗 and a 📞-call away from one another. Let’s keep rocking it my lovelies!

And so, it was on a Wednesday afternoon or was it a Thursday….. ? Which brings me to another realisation: There are no real days of the week in a pandemic, as one day seamlessly merges into the next. And so, it was on a Pandesday** that i sat back and took stock of my home and all the joy it still brings me when the world outside seems alien, blighted and frightening.

Home isn’t a place, it’s a feeling – of security, comfort and serenity. And this is my homage to the whole gamut of protecting, sheltering homes and home-makers across the planet.

De Khudai pe aman.

*Firestarter: A 1980 Stephen King novel about a lass who was an accomplished arsonist in the tradition of most reviled, ostracised anti heroes

**Pandesday: any day in the course of the novel Corona virus pandemic

VERSE|Thank you for the Joy

They say the creative types produce their best work while in the throes of incredible happiness, or while in the savage, unrelenting grip of immense anguish. Much like the perpetually conflicted Michaelangelo, who while being devoutly catholic was also inimitably homosexual. The constant inner conflict arguably served to inspire his best work, lesser known of which is the “Prisoners” series of sculptures.

And so (on a much more modest scale!) the below came about while I experienced an extraordinary time of tremendous joy 2 years post my mother’s passing away after a protracted and distressing illness. I share this heretofore very private memorialization in the hope that it may bring a few moments of comfort to folks going through something similar.

THANK YOU FOR THE JOY

I saw you in a dream a few nights ago
I had your gold bangle on - the one you always wore
And I felt you near me
I closed my eyes - so afraid I’d lose the thread.....


And then I felt my heart beat fast
As I felt you closer still,
Eyes closed, I whirled around the room
And then I felt my hand grasped lightly
And I held my breath, Mama
And I whirled with joy - I whirled and whirled
And then YOU held my other hand
And you were there! And you laughed!
And I laughed! And I held on to your beautiful hands
As we whirled together in joy and laughter!


You were well, and you were happy - and you came to me;
In your infinite compassion, wisdom and love - you came to me.


I tear up as I write this not because I grieve this time,
But because I’m overwhelmed; I’m overcome with knowing you’re healed and happy,
And that i danced with you in extraordinary bliss.


I ask just one thing of you today Momsy,
For us to grieve a little less and to celebrate you so much more
Just once, every year, let me and the girls dance with you in joy.


Until we meet again Mama.