I’ve got my book of short stories on GOODREADS finally. Please take a little time out to leave a review if you’ve read some or all “The Girl with the Paisley Dupatta”. Thank you! 🌸
A little disclaimer: This particular piece is not a critique of the institution of marriage itself, but the warped manner in which it is used to keep young women in check. To prevent them from breaking through the heavily-manned barriers created for them by society.
Yes, I waited a great big while For my knight in shining armour to arrive To sweep me off my impatient feet To finally enable me to start living my life
He came to our door, not on a steed That’s the whimsical stuff of fairytales Not really rigged for the 21st century The rest of the story I was sure prevailed
And so he came to our house in a car His mother and his sisters too I dutifully served them tea and samosas His eyes were fixed on me like glue
I tried to think of what I felt Did he stir something in my heart Did I feel a like-mindedness Was he the catalyst to my big, bright start!
The only thing rolling around in my head The only thing that I could really see Was the freedom to do all that I couldn’t now That sunlit pathway stretched ahead of me
I remember I smiled a little too much He grinned like a loon right back And so it was decided auspiciously That we’d be married in three months stat!
The wedding was done, it was T-plus six months And I sat at my dressing table I looked at the face of the woman in front Was she the euphoric lass of fables?
She looked back at me confusedly I pretended I didn’t quite read What her eyes were so desperately telling me That rabbit hole was just too deep
I looked away, this wasn’t the first time Of my inability to face the ghosts Of broken hearts and shattered dreams Of being deluded, of feeling lost
I had grown up believing with all my being That my best life lay ahead When I took on the mantle of someone’s wife That’s what age-old tradition said
But that’s not true, I now know When I can’t look at myself in the mirror There are shackles anew, I’m so confused My dreams couldn’t have been frailer
And so I wait yet again, but now Free of mythical notions and guiles For when I can find the courage to be Who I am, who I really have been all this while.
I see a woman standing at the traffic light Even in her shabbiness, she’s neat and clean She stands on the wayside wondering For the hundredth time what she is doing on the street. People look at her from their car windows A nonchalant glance up and then away Their psycho-social barriers Comfortingly coming down to save their day From unpleasant pangs of conscience As they niggle at the edges of their minds The world is troubled, their impact small Sometimes it’s just better to be blind.
She looks at the faces in the cars Indifferent, unseeing; wishing her away She clutches the hem of her tattered shirt Picks up the gumption to still walk their way She looks at a lady who hasn’t averted her eyes The shame is too much and she swallows hard Even so, she manages a faint little smile Hoping for kindness, compassion, regard The lady looks up, seeing her for the first time She’s irritated, she’s irked for letting her guard down Beggars, pleaders of various requests Destroy her peace of mind, she frowns.
She waves a dismissive hand at the sight And looks away, she will not lock eyes Maybe the beggar will go to the next car With her chafing, imploring enterprise The woman feels the withering blow As she hurriedly backs away from the car The wounds in her heart are bleeding anew Everyday there are fewer healing scars She stumbles back onto the foot path Eyes stinging with hopelessness and fatigue This world seems done with the likes of her She too is done with her destiny.
It’s Strange How some people call all the shots For you and me; on what’s right and what’s not On how we should all live our lives On what we should want to grow and to thrive And we follow them like so many mice The Pied Piper surely leaves us no choice
It’s Strange How some nations are on top of their game And others continually parry insults and blame Some swirl around in their blood, sweat and tears While others race on winds of good cheer And yet we stand by like so many sheep The First World Dream will not let us be
It’s Strange How the spirit of our humanity Has gone into permanent servitude For the battle of egos of the few Losing our grip on what’s right and true And we circle around like so many moths Burning our wings in the flames of their wrath
It’s Strange How hard it has become of late To step out of the comfort of the bell curve Created to kill off the being that’s you Teaching you how you must hate and love And we fight on like so many soldiers sore Thinking one more battle will win us the war
It’s Strange Even as I write these lines A question skips on the edge of my mind No, there are two for misery loves company Who’ll tell me the answers that I seek to find - When did the glow inside me cease to exist? When did Instinct and Courage let go of my wrists?
She gets out of the car, adjusting her shalwar The legs one mustn’t behold, out of their fabric strongholds The ankles though, for a moment show Their shameful curvature.
It can’t be helped you see, we are bipedal beings But we can’t see the nuances of practical biology When blinded by the nobility of our formidable patriarchy, And cloaked in out great Fervour of faith.
And so she bends just a little to adjust the errant drape And while she endeavours, to hold together Her blessed modesty Some man out there, finds her morality in disrepair What is she bending for, like a dirty, depraved w****!
And the floods of moral outrage at this corrupt spectacle In their godly country, cause a debacle Every man takes it upon himself to deface this hideousness He then looks to his companions, all now chomping at their bits
They rush upon this evil scene, of the wicked and immoral queen For a queen she is, from head to toe. Evil, wicked, shameful though! She makes their blood gush in great floods Testosterone-filled, Squelching like mud She makes their heads swim in strange ways Where she is master and they are slaves.
God does not permit, such sacrilege Where genders abandon their rightful places Men are meant to lead them forth Moral compasses pointing true north Held aloft by everything, a woman does, from breathing in To the way she walks in crowded streets: Ankles hidden, inconspicuous feet.
And that is why an errant sister in faith (A woman who is alone and out and about!) Reeking of impudence in her unveiled state (Putting her entire morality in doubt!) May naturally be seen by her brothers devout As a wanton woman standing at hell’s gates.
Aliya opened one bleary eye to glance at the clock on her bedside table. It was just past 6 O’ clock. She felt a familiar quickening of her pulse as she thought of the day ahead, the obstacles to be surmounted. She closed her eyes and took a deep breath. There was nothing on the agenda today, stress free as it was in the aftermath of her masters exams. Her anxious nature still had to catch up to the fact as she stilled her agitated heart. She turned on her side, away from the window and the blitheful rays of sunshine that glanced cheerily off her desk that lay in the corner of the room. She’d sleep in today she thought, catching at the fading strings of dawn time dreams. Soon, she was back in the familiar collage of her recurring dream visions: she was falling off some place – the catapulting surface was always different – and she always experienced the same great fright, and she always just about missed the concrete or the jungle floor or the carpeted surface below as her foggy saviour came to her rescue. His … her … (another conundrum) face was never clear, remaining obscured by the ephemeral mists of her dreams.
She finally arose at 11 O’ clock when her mother came into her room armed with clean laundry and the loud efficiency of having been at the helm of the domestic wheel for the last four hours. She felt groggy and tired even after her ten hours of sleep. She looked at herself in the bathroom mirror. Her double chin was looking more pendulous than ever she thought. She clutched at the rolls on her stomach, feeling for the insidious deposit of more weight. She had been good about her meals this past month and had not given in to any stress eating even though she had been in the throes of her exams. Her nails had taken the brunt of that deprival as they now sat like ravaged half moons in their nail beds. She looked at the weighing scale lying right opposite the WC, its meticulous placement a tribute to her weight loss earnestness. She decided today was not a day for unpleasant metric system surprises and pointedly ignored it through the course of her morning ablutions.
‘Hello late latif*’, her father called out to her cheerfully as Aliya walked into the lounge. She smiled. Her father, Mian Muneer, could brighten most of her days, afflicted as they were with her mother’s constant anguished refrains for her to lose “at least ten kgs!” and her own unremitting anxiety about her weight, and everything else too. In all that maternal censure and self deprecation, he was like a breath of fresh air. Never remarking about her weight, let’s be honest she thought, her bulk. Never making her cringe at the sight of her reflection or at the sight of food even when her stomach was rumbling from protracted deprivation. He loved her just as she was, her beloved father.
‘Good morning Baba*’, Aliya responded with a kiss on his cheek.
‘Aloo*, there are parathas* for brekkie, come get them!’ came a jaunty call from the dining room. She walked towards the voice (dubiously) and towards its announcement of gastronomic delights (zealously), her stomach rumbling with hunger – was it hunger or comfort-seeking she thought fleetingly. For the former came with relatively guilt free appeasement while the latter needed to be worked through mentally and emotionally and if all went well, was rebutted, ignored, nipped in the gut. She accepted also, that despite all the diligent evaluation, she had never been very good at distinguishing between the two, as hunger loomed large on most food horizons.
Saira was sitting at the head of the table looking, even at that early hour of the day (for she too had woken up only after 10) fresh, dewy and gorgeous. This was her twin sister, the sum total of her antithesis. Aliya helped herself to three parathas and an omelette. She could feel her sister’s eyes on her; she was going to say something, she always did … irksome at best and hurtful at worst.
‘Go easy sis, that’s a thousand calories right there’ Saira released the expected verbal arrow as she put a condensed milk laden piece into her own mouth.
Aliya gave a wry smile as she loaded her parathas with condensed milk and cream.
‘Aliya, what are you doing?’ came the accusatory voice from behind her. Their mother had come in and was discharging her duty as the maternal voice of reason and outrage.
‘Having breakfast Amma’, Aliya responded doggedly. Damned if she was going to be denied the first meal of the day, twelve hours after her last one too, in all its life (and courage fostering!) fulfilment.
Her mother gave an exasperated sigh and walked out. Saira sniggered. It was just another day at 14-Z in DHA, Lahore.
(II)
Aliya had dug into her breakfast as she dug in her heels every so often when she felt the world closing in on her; Judging her, railing at her, accusing her. She had ended up having four and a half parathas. She stood looking into her wardrobe, eating herself up inside now, for her breakfast time excess; cursing her food induced and reduced anxiety. No, food didn’t induce her anxiety (except in her apocalyptic fantasies when the world was overrun by zombies and all kinds of human nutrition was scarce); it was her panacea in fact, for the maddening world around her. She sighed deeply, chose a grey baggy shirt and black track pants. She was in the mood to merge with her dreary thoughts today. She was meeting her best friend and neighbour, Saqib in a little while. He was going to help her fill in the forms for the Masters in Sociology course at Uppsala university in Sweden.
Saqib Mir was the only child of his parents, the apple of their eye, the next progenitor of their eminent lineage and the scion of the family business. Marring this perfection was a somewhat unsymmetrical gait as he was also crippled by childhood polio. The whys and wherefores of how he had contracted the disease are foggy; rife with rumour and speculation until about decade or so ago, the direful hypotheses were now obscured by an acceptance born of familiarity. For those who had known him forever, it had become like a little smudge on a Sadequain* painting that has with time, blurred into oblivion. For those meeting him for the first time, while there were no origin-theories being bandied about anymore, there was almost always that self conscious nonchalance of trying not to notice the obvious. Saqib felt both, a sense of quiet amusement and compassion for this denominator knowing the mental exhaustion their involuntary Secret Spy syndromewas bestowing on them. Humanity, even amidst the deficiencies of the developing world, has largely got used to polio free perfection; a certain basic physical congruity is a sacred expectation especially among the upper crusts of society. Saqib then was the paradoxical element that jarred the sensibilities of the well heeled more than it did that of his favourite chai wallah’s or fruit wallah’s. They acknowledged his disfigurement in a practical, unselfconscious way. He was crippled and so what? He couldn’t run but he could still walk and get about unaided. Saqib was well liked in the more modest social circles too.
The Mians and the Mirs had been neighbours for fifteen years and Aliya and Saqib had become kindred souls for each other, afflicted as they both were with their respective vulnerabilities.
* Mohabbat Mein Twist: “A twist in the Love story”. “Mohabbat” means “Love” in Urdu.
* Late Latif: In Urdu, a fond colloquialism for a tardy person
* Baba: In Urdu, a term used to denote an old man and also used for father.
* Aloo: Aliya’s nickname. Also meaning “potato” in Urdu.
* Paratha: A flatbread native to the Indian subcontinent, where wheat is the traditional staple. Paratha is an amalgamation of the words parat and atta, which literally means layers of cooked dough.
* Sadequain: Renowned Pakistani artist known for his calligraphy and painting.
For all the girls, and the women young and old, who are made to feel less, inferior or impaired because they have dreams that are different to the ones dreamt up for them by others. May you find the strength and the passion to be you.
Why must I be what I don’t want to be? Why must I change the state of my dreams? Why must I cower in fear of my world? Why must the story of my life stay untold?
Why must I hide myself away? Why must I look behind me always? Why must there always be danger to me? To my spirit, my soul, my mind, my body?
Why can I not laugh out loud when I want? Why must I hide all my joy in my heart? Why can’t I turn my face to the sun? Why must I hide in the shadows you’ve spun?
Why must I bear the ball and chain of these roots? Why must I remain invisible and mute? Why was I born if not to revel In life’s ever cresting and falling swell?
I’m a child of this world, let me roam free Let me think, let me speak, let me be me I’m a creature of this earth, I belong everywhere Let me spread my wings, let me lay my heart bare
Let me be, let me be, just what I want to be Let me dream, let me dream, what I want to dream Let me walk in this world unafraid and kind Let my life tell the story of my heart and my mind.
A tribute to all the young women who are constantly attempting to be bigger than the patriarchal shadows cast upon them. (This is in specific response to the most recent mauling by hundreds of men, of a girl who was making a video on Independence Day at Minar-e-Pakistan – a monument ironically, symbolising freedom and self determination).
There was once an average girl Average I use to disclaim That she was your happy gal next door Not your wild and sassy dame
Not that there’s much wrong with that It’s for those who tend to decry The women greater than their veil Behind which they ought to hide
Hide away from prying eyes Hide away from sin Hide their bodies, hands and feet Hide their existence
The Sin that marches all about Ready to be employed In the lawless caveman hands Of any man or boy
She decided she was bigger than The shadows that cloaked her being She was going to live her life She would do so many things
She already had a fan base She was a minor TikTok star She would post quirky things Of her adventures near and far
And so it was on Freedom Day Full of patriotic zeal That she went to the Minar* To capture the national feel
And there is when it happened The Sin awaiting its Amen Was pulled to its fruition By hundreds of stir-crazed men
Mauled and savaged was that girl Because she had essayed To be more than the sum of her Shadows and opaque veils
And that’s the ominous legacy Our nation tends to bestow On any woman who attempts To spread her wings, to grow.
There was once an average girl She’s as average as she seems In the Rank and file of nameless girls Who’s dreams have been “washed clean”
* Minar: Means “Tower” in Urdu. Here it refers to Minar-e-Pakistan