This story may be read as a continuation of an earlier piece of work titled The Sins of Our Fathers. You can read that here: https://theroamingdesi.org/2021/06/09/sins-of-our-fathers-part-one/
Zubaida looked at herself in the mirror as she always did before heading out of her one room apartment; straight into the eyes of her reflection. She passed on her daily affirmation to herself: that she was her own be all and end all. No matter how wonderful life sometimes got, no matter how much of the drug of complacency it tried to suffuse her with, she would remain alert. This recall was a vital part of the start of every day for Zubaida; and the subliminal messaging to herself as she looked directly into the windows of her own soul, was to her the most effective way of keeping herself vigilant and grounded. She had been on her own for the last thirteen years and she had survived, indeed thrived in the general ebb and flow of life.
Zubaida lived in Shadman in Lahore and was a professional calligrapher. She specialised in oils on canvas. Her shaded, monochromatic depictions of Quranic verses had not only earned her a name in the city’s Islamic Modern Art community but had with time, become a reliable and consistent source of income. Ten years ago, she had gradually begun to supplement her Urdu tuition earnings with sales of one or two canvases every month. Over the last five years, her art sales had become her primary source of income.
Zubaida stepped out of her apartment locking it behind her. She walked towards the stairwell and per habit, looked again at the door ensuring the padlock was securely in place. She always made absolutely sure that her home was safe.
She got into a taxi and headed for Malik Art Studio in Model Town. The gallery and the curator of its masterpieces such as they were, had both been kind to Zubaida. She had in turn, responded with her own sense of loyalty, declining offers to exhibit at some of the other local studios that speciliazed in Islamic art. Her latest calligraphy series was going on display soon. She had learnt with time and experience, that masterminding the entire exhibition process from start to finish tended to lead to fewer last minute fires to put out. Today, she was going to see how her ten pieces of work would be displayed in the upcoming Eid exhibition.
She spent two hours in the voluble company of Malik sahib, deciding on the frames and the placement of each canvas.
‘Sikander was here yesterday. He has already promised to buy two of your pieces’, Iqbal Malik said, his eyes glinting with the combined thrill of giving Zubaida news of Sikander and the prospect of a tidy profit.
Sikander Ilyas was the scion of the Ilyas Ceramics and Tile Manufacturing, a keen appreciator of art and in Zubadia’s case, of the artist too. He had met the serious young woman two years ago during one of her exhibitions and was almost immediately taken in by her no nonsense demeanour that was also simultaneously rooted in a quaint naïveté. The combination had quite swept Sikander off his feet. He hadn’t said anything of the rumblings of his heart to Zubaida. Not so much because romance seemed like a superfluous sentiment around the sedate woman, but because he himself had been grappling with his feelings. He was expected to marry someone from his class; someone eligible and beautiful; a society damsel.
Zubaida was the antithesis of all that. She had grown up in rural Punjab and at the tender age of seventeen had undergone a brutal sentencing by the local community for a social transgression committed by her uncle: the girl had survived a Jirga*-ordained revenge rape. In the eyes of the world, she was a stigmatized woman; tainted and unmarriagable. In his eyes, while she was tainted, he had been trying to work around the unmarriagble aspect of it. He had decided that time was the best moderator of troublesome peeves and had decided to go with the flow.
Two years on, he was more in love than ever before and the walls of culture and tradition that had kept him privileged and safe, had been slowly eroded by floods of patriarchal contrariness and social defiance. Sometimes, he wondered at the change that he’d undergone as a person and especially as a man in his community. His heightened sensitivity to the pervasive chauvinism that flourished so brazenly in his Islamic republic had given him his fair share of sleepless nights. The not so infrequent introspective moments that also now crept upon him, left him appalled and ashamed. Time had in fact been a ruthless arbiter, opening his eyes to a world that he and the rest of the male fraternity of his homeland had helped to build, brick by twisted brick.
In a world that was seeming increasingly at odds with reality, Zubaida appeared more and more like the only lucid woman around. And so, Sikander was now quite decidedly ready to ask Zubaida to marry him.
Even so, while his internal ideology had changed, he was still a consummate part of the social and patriarchal structures that had always defined him; that he called his roots. No matter how he envisioned it, it was going to be a challenge seeing this undertaking of the heart through …
But damned be the world! Well … he’d handle his parents and they’d handle the rest of the world.
Zubaida had at first been wary of Sikander’s interest in her. In the thirteen years since her life had been turned upside down and which she had since built back one vital milestone at a time, one thing had become resonantly clear: she would maintain her independence no matter what; and a husband did not feature in any conventional, orthodox way in that ultimate life stratagem. Despite her overtly disinterested bearing however, there had been a motley assortment of hopefuls who had vied for her attention. She had held on as practically to her Unavailable status as she had been factual about her past.
All her suitors were made aware of her particular “standing” in society immediately upon their disclosure of their besotted hearts. Some had retreated mumbling sympathetic apologies, less out of shame for the toxicity of the patriarchy that had perpetrated the tragedy and more for how her irrevocably stigmatised situation would affect their own social standing. Others had shown surprising strength of character, whether fleeting or more deep-rooted, whether spurred on by pure adrenalin or by something less chemical and more ideological, and repeated their desire to partner with her in the sacred (and hopefully abiding!) contract of the Nikah*. She had seen off the disillusioned devotees with a gracious farewell and the tenacious lot, with a polite refusal. It had never been hard to do. Her heart had remained utterly unaffected and composed; until Sikander had come along. With time, the man had got under her skin. He had changed in ways she could understand and respect; in ways that gave her hope and warmed her.
* Jirga or Panchayat: a traditional assembly of tribal leaders/ elders who make decisions affecting their communities according to their patriarchal, ancestral belief systems.
* Revenge Rape: Or Honour Revenge is a sentencing usually inflicted on an innocent woman by a council of elders in rural communities, as retribution for a crime committed by usually a male member of her family.
* Nikah: In the Islamic tradition, the marriage contract is signed during the Nikah ceremony and it is during this event that the bride and groom say, “I do.”
Read Part Two here: https://theroamingdesi.org/2021/07/12/mistress-of-her-kismet-part-two/